Here is our cast glass bird and egg box, of a lavender pink glass, with a top of the same color with glass hands clasping an egg. The birds and egg are 22 kgoldleafed, and the branches are copperleafed. It's sitting in a curly maple base. Because people keep asking us: the top is ALL ONE cast piece. No glue.
Below, two new pieces just out of the kiln: an emerald-colored snake box which took DAYS to make. DAYS. Each snake was hand-made in wax, attached to a wax box, and all the scale and head detail was done by hand using a toothpick. Then the wax piece was cast in plaster, the wax was melted out (hence lost wax), and it was filled with glass and fired (for 3 days), which is how we do all our cast glass pieces. Just in case anyone wonders why we attach a high price tag to them.
Also below, a new glass piece (also out of the kiln today): a sitting girl in amber-gold glass. This will sit on top of a wooden box. Didn't she turn out lovely? I was sure she wouldn't fire correctly in the kiln... but then, oh, she did. And she took forever to make, too.
Below, two new pieces just out of the kiln: an emerald-colored snake box which took DAYS to make. DAYS. Each snake was hand-made in wax, attached to a wax box, and all the scale and head detail was done by hand using a toothpick. Then the wax piece was cast in plaster, the wax was melted out (hence lost wax), and it was filled with glass and fired (for 3 days), which is how we do all our cast glass pieces. Just in case anyone wonders why we attach a high price tag to them.
Also below, a new glass piece (also out of the kiln today): a sitting girl in amber-gold glass. This will sit on top of a wooden box. Didn't she turn out lovely? I was sure she wouldn't fire correctly in the kiln... but then, oh, she did. And she took forever to make, too.
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We're off to Midland for the season's first art fair! Tom and I are in sore need of total strangers telling us how wonderful we are (we love all you friends and family telling us, but you don't count). Below: a picture of how hard I work: my bleeding thumb on my dirty, plaster-covered hand from removing razor sharp glass from molds, holding a toothpick for delicately picking plaster off the cast glass golden girl. This is seriously what my hands look like all the time from working with glass: cuts, cuts, and more cuts. If you buy something from us, chances are it has some of my or Tom's blood in it. And also, a picture of the box we are giving (yes, giving) to the Museum of the Southwest for its fundraising event: an etched glass hummingbird painted and 22K goldleafed in the etch over a woodburned and painted maple base. The box is made of walnut and is hinged. You can buy it at the museum's auction on Friday (Sept 5). I remember cutting myself on this one, too. See you in Midland!
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