Here is our lovely cast glass tentacles box, all finished with a little ship of wood, paper, and string on the cast glass top, and a base of sapele on a ring of jarrah with live edge.The bottom of the box is faceted inward and highly polished to let lots of light into the box, which is cast of a shift tint glass that is green under inside light and a lavender blue outside. Wowza, if I do say so myself. And Tom constructed this weird-ass base that is so perfectly a work of art in itself.
Below, our cast glass hell box- the box has a flame design on the ruby red glass, and a wenge top and base. The top has a skeleton (made of bone, of course) on it (with a convenient small hole for, as seen here, a flower). And finally, since we don't always do monsters, our sweet cast glass golden girl, sitting on the lid of a tall, plain, polished sapele box.

But those of you with darker sensibilities will be pleased to know that snakes and sea monsters and beetles and skulls are all in the works to counteract the sweetness. For instance, below is an experiment in negative space casting: a skull in a light lavender gray glass (the lavender color will NOT show up in the pictures, which is frustrating Tom). The skull is the empty space. Creepy, eh? This will go on the bottom of a wooden box, on top of mirror to reflect light, with a split etched glass top so you can see the skull beneath. And also below, another negative space adventure with a face in rhubarb shift tint glass- this one will go on the top of a wooden box.
And get your ass out to the Art & Wine in the Square Festival in Georgetown, TX, next weekend (Sept 17-28) and get loaded and come see us. And buy something. You know you always wanted a hell box.

We just got back from our first art fair of the fall season, Septemberfest at the Museum of the Southwest in Midland, TX, and we won 3rd place overall in the fair (of over 100 artists)! Here is a picture of Tom with our ribbon. I might be upset that it isn't blue, except that the guy who won first place, Denny Wainscott, makes the most unbelievable art from gourds and deserved to win. Below left is a picture of one of his creations (oh, how I wish it was mine). So the competition was fierce and the lineup of artists was fantastic. Also below, a picture of work from one of my favorite artists there (we bought something from him)- Larry East of East Art, who makes beautiful, graceful, iridescent pottery vessels embedded with metal from reclaimed saw blades and rebar ties. I would love to have more of his art. I'd like to promote all of the wonderful artists I met there, but there isn't room here, so check them out through the link to September fest above. Thanks so much to all the wonderful people who came out - even in such rainy weather- and bought art and talked with us. It's people like you who allow artists to keep working, and that's a wonderful thing.

Our next fair is Art and Wine in the Square in Georgetown, TX on Sept 27-28. Come out and see us there!

Here is our cast glass bird and egg box, of a lavender pink glass, with a top of the same color with glass hands clasping an egg. The birds and egg are  22 kgoldleafed, and the branches are copperleafed. It's sitting in a curly maple base. Because people keep asking us: the top is ALL ONE cast piece. No glue.
Below, two new pieces just out of the kiln: an emerald-colored snake box which took DAYS to make. DAYS. Each snake was hand-made in wax, attached to a wax box, and all the scale and head detail was done by hand using a toothpick. Then  the wax piece was cast in plaster, the wax was melted out (hence lost wax), and it was filled with glass and fired (for 3 days), which is how we do all our cast glass pieces. Just in case anyone wonders why we attach a high price tag to them.
Also below, a new glass piece (also out of the kiln today): a sitting girl in amber-gold glass. This will sit on top of a wooden box. Didn't she turn out lovely? I was sure she wouldn't  fire correctly in the kiln... but then, oh, she did. And she took forever to make, too.

We're off to Midland for the season's first art fair! Tom and I are in sore need of total strangers telling us how wonderful we are (we love all you friends and family telling us, but you don't count). Below: a picture of how hard I work: my bleeding thumb on my dirty, plaster-covered hand from removing razor sharp glass from molds, holding a toothpick for delicately picking plaster off the cast glass golden girl. This is seriously what my hands look like all the time from working with glass: cuts, cuts, and more cuts. If you buy something from us, chances are it has some of my or Tom's blood in it.  And also, a picture of the box  we are giving (yes, giving) to the Museum of the Southwest for its fundraising event: an etched glass hummingbird painted and 22K goldleafed in the etch over a woodburned and painted maple base. The box is made of walnut and is hinged. You can buy it at the museum's auction on Friday (Sept 5). I remember cutting myself on this one, too. See you in Midland!