Another finished cast glass box- the swan box of lovely soft blue-gray glass got this beautiful dark walnut base that echoes the art deco curves of the swan. Just the wooden base is a work of art on its own (Tom is a fricking wood genius). These cast glass boxes are blood, sweat, and tears to make.
Below, our latest effort right out of the kiln- a glass box decorated with a leafy vine design ( I wish I had a picture of it in wax, because it took A LONG TIME to make the wax model- tons of little wax leaves, each detailed with a toothpick. The glass is a shift tint, so there are two pictures of it, one in natural light (where it's a pink/orange tint) and one in indoor light (where it's an olive green tint). It sorts of shimmers between these colors depending on how the light hits it. Cool, huh?
Below, our latest effort right out of the kiln- a glass box decorated with a leafy vine design ( I wish I had a picture of it in wax, because it took A LONG TIME to make the wax model- tons of little wax leaves, each detailed with a toothpick. The glass is a shift tint, so there are two pictures of it, one in natural light (where it's a pink/orange tint) and one in indoor light (where it's an olive green tint). It sorts of shimmers between these colors depending on how the light hits it. Cool, huh?
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And another mermaid box- an aqua cast glass top in a box of bird's eye jarrah with turquoise inlay and curvy sapele legs- it's treated with oil and then epoxy so the sides look like they're dripping with water. Now Tom is sick to death of girly shit like mermaids and swans, so also below is a new etched glass topped box: an homage to the great Julie Speed's painting War Bride. This is glass etched on two sides (jellyfish on one side, skull on the other), with peppermint wood (a weird Australian wood) sides with a watery, swirly natural coloring, and a swirly blue painted base.
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